ISSN (Online) 2712-8407
DOI: 10.22405/2712-8407

SYNTACTIC ASPECT OF MIKHAIL CHEKHOVʼS IDIOSTYLE


Dmitry A. Romanov

Doctor of Sciences (Philology), Professor, Head of the Center for the Russian Language and Regional Linguistic Studies

Tula State Lev Tolstoy Pedagogical University

(Tula, Russia)


DOI: https://doi.org/10.22405/2712-8407-2024-4-150-162


Abstract. In Mikhail Chekhov’s idiostyle, syntactic phenomena play a prominent role. Some of them are independent stylistic dominants, others form micro-compositions that are periodically repeated in the text and organize it in a certain way. Various types of homogeneous components serve the author primarily to expand the narrative informationally, as well as to enhance its expressiveness. Graduation series help to emphasize the logic of the author’s reasoning. In the field of word combination, M. A. Chekhov, the most noticeable tendency is towards non-standard, unusual component composition against the background of conventional units of a similar type. The impersonal attribution of direct speech and the special structuring of dialogue and polylogue helps the fiction writer convey the atmosphere of that difficult time that he embodies in his book «Life and Encounters». Sentences with double semi-predication provide the most complete development of the theoretical thought of M. Chekhov as the author of the original system of actor training and allow us to comprehend the experience of colleagues – the founders of theater schools. The composition of M. Chekhov’s text is distinguished by its fragmentation, which is determined, on the one hand, by the memoir genre, and on the other, by the nature of the author’s understanding of reality. Local fragments of reasoning and relatively holistic, complete micronarratives are organically introduced by the author into the «large» text composition. Chekhov's idiostyle is characterized by an extensive composition of polypredicative syntactic constructions, among which the leading (in terms of quantity) role is played by non-conjunctive compound sentences with various types of relations between the clauses and, as a rule, repeated compounding of each of them, e.g., supplementary comments and syntactic constructions marked by parentheses. Supplementary comments, also known as parenthetical constructions, serve to augment the narrative's intensity. These supplementary elements not only enrich the event narrative but also reveal the author's perspective on the unfolding events, manifested through emotional or reflective remarks.
Keywords: fiction, idiostyle, syntax, composition, homogeneous members, semi-predicative constructions, oppositions, non-conjunctive complex sentences.

Full text of the article (PDF)

For citation: Romanov, DA 2024, ‘Syntactic Aspect of Mikhail Chekhovʼs Idiostyle’, Tula Scientific Bulletin. History. Linguistics, issue 4 (20), pp. 150–162, http://doi.org/10.22405/2712-8407-2024-4-150-162 (in Russ.)

References

1. Izard, C 2003, Psikhologiya emotsiy (The Psychology of Emotions), Piter Publ, SaintPetersburg. (In Russ.)
2. Bolshoy akademicheskiy slovar russkogo yazyka (Large academic dictionary of the Russian language) 2004–2021, vol. 1–24, Nauka Publ, Moscow, Saint-Petersburg. (In Russ.)
3. Babaytseva, VV & Maksimov, LYu 1981, Sintaksis. Punktuatsiya (Syntax. Punctuation), Prоsveshcheniye Publ, Moscow. (In Russ.).
4. Beloshapkova, VA 1997, ‘Sintaksis’ (Syntax), in VA Beloshapkova (ed.) Sovremennyy russkiy yazyk (Modern Russian language), Azbukovnik Publ, Moscow, рр. 606–914. (In Russ.)
5. Valgina, NS 1991, Sintaksis sovremennogo russkogo yazyka (Syntax of modern Russian language), Vysshaya shkola Publ, Moscow. (In Russ.)
6. Ginzburg, LYa 2016, O psikhologicheskoy proze (About psychological prose), Azbuka Publ, Saint-Petersburg. (In Russ.)
7. Kovshova, ML 2019, Lingvokulturologicheskiy analiz idiom, zagadok, poslovits i pogovorok (Linguistic and cultural analysis of idioms, riddles, proverbs and sayings), Lenand Publ, Moscow. (In Russ.)
8. Lotman, YuM 2015, Struktura khudozhestvennogo teksta (The structure of a literary text), Azbuka Publ, Saint-Petersburg. (In Russ.)
9. Nikolina, NA 2002, Poetika russkoy avtobiograficheskoy prozy (Poetics of Russian autobiographical prose), Flinta Publ, Nauka Publ, Moscow. (In Russ.)
10. Pilshchikov, IA 2022, Sem besed o filologii i Digital Humanities (Seven conversations about philology and Digital Humanities), Izdatel`stvo MGU Publ, Moscow. (In Russ.)
11. Romanov, DA 2016, ‘Poetika podrobnostey: lingvostilisticheskiy analiz povesti S.T. Aksakova «Semeynaya khronika»’ (Poetics of details: linguistic and stylistic analysis of the story by S.T. Aksakov “Family Chronicle”), in Russkiy yazyk v shkole (Russian language at school), vol. 9, рр. 37–43. (In Russ.)
12. Denisov, PN & Morkovkin, VV (eds) 2002, Slovar` sochetaemosti slov russkogo yazyka (Dictionary of combinability of words in the Russian language), Astrel Publ, Moscow. (In Russ.)
13. Slovar sovremennogo russkogo literaturnogo yazyka (Dictionary of modern Russian literary language) 1948–1965, vol. 1–17, Nauka Publ, Moscow. (In Russ.)
14. Uspenskiy, BA 2000, Poetika kompozitsii (Poetics of composition), Azbuka Publ, SaintPetersburg. (In Russ.)
15. Chekhov, MA 2019, ‘Zhizn i vstrechi’ (Life and meetings), in Chekhov M.A. Put aktera (Chekhov M.A. The actor's path), AST Publ, Moscow, рр. 165–360. (In Russ.)